The system of the Heaven and Hell targets both moving on their own schedules, and the consequences of the time you spend in one room affecting where the target is in the other - I stepped into the Heaven elevator at the exact same time as the CIA agent stepped out to go to the basement/Hell, an amazing movie-esque moment. A Dance With The Devil was the first mission where I used absolutely no wiki/internet assistance whatsoever and it was amazing. Impersonating the Afrikaner, tailing the Sheikh, taking out the scientist and stealing the diamonds feels like the best kind of heist movie. Curtains Down has an awesome title, a good layout and disguise variety, excellent soundtrack, and two amazing accident kills. A New Life is wickedly overrated but still really cool, I adore the suburban setting and some of the details are wonderful. I'll SA it someday but the aesthetic of leaving the body there is too dramatic to ignore. One of my favorite missions for feeling like a John Wick-style assassin, walking up behind targets in dark alleyways, shooting them in the head, and walking away before getting discovered. Flatline is my favorite of the B-tier missions, but I'm pretty sure the weightlifting kill counts as strangulation rather than an accident for some reason, which always bugs me.Ī - The Murder of Crows fucking rules. You Better Watch Out has kind of a confusing layout at first, but some of the kills are cool and the disguise system feels like it works really well here. I don't hate any of these levels, but I don't think they're amazing.ī - A Vintage Year is really cool aesthetically, although the kills aren't my favorite. Death on the Mississippi was a combination of easy and overly long. Amendment XXV is really straightforward, and killing Morris was literally as easy as catching him alone in a stairwell *by accident*. I just snuck up to a balcony and sniped both targets. Requiem is awesome in theory but it was infuriatingly difficult on Expert.Ĭ - Til Death Do Us Part is.
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